Loomba’s essay traces how the sati-widow has been represented from the colonial period through postcolonial debates. Sati is a historical Hindu practice in which a widow is burned alive on her deceased husband’s funeral pyre, either voluntarily or by coercion. Loomba explains how the very societal systems that have attempted to define her—colonial, patriarchal, nationalist, and feminist—are disrupted by the sati-widow figure. Each of these systems relied on the widow as a symbolic figure, but simultaneously erased her subjectivity. This erasure forces a rethinking of these prevailing narratives, proving the instability of the social, cultural, and epistemic frameworks that sought to confine her.